ZOOM INTERNATIONAL - July
Magazine Online Index

Cover: Paulette Tavormina

From food photography to the needs of social media, the art of still life has been one of the most explored genres in photography in recent years. However, in fine art photography, still life has quite distant origins, from Daguerre to Henry Fox Talbot to begin with, followed by the great Edward Weston, Irving Penn....
A still life image creates a special relationship between the artist and the viewer with the objects portrayed, objects that are immobile and seemingly lifeless, yet capable of transmitting meaning and evoking sensations. The sense of alienation from the context creates a direct involvement with the work, the result being that the distance between the work and the viewer is truly minimal. This aspect is much appreciated by collectors who purchase a work because they love it (and not necessarily as an investment) — because of the way it involves them.
In fine art photography, still life is even more profoundly significant than commercial still life which essentially requires mastery of photographic technique and compositional skill. In fine art, still life becomes the personal expression of the photographer’s creativity which takes advantage of composition, lighting and color to express a concept and an emotional state.

Purchase the issue

Authors:

Vlad Antonov
Bin Yang
Roger Ricco
Veronica Bailey
Gilles Lorin
Yuval Yairi
Paulette Tavormina
Paloma Rincón
Ori Gersht
Monica Stevenson
Kevin Best
Heinz Baumann
Abelardo Morell
Anne De Carbuccia

Purchase the issue


Articles Online

Image no Load 

Portfolio

Frank Meyl

Image no Load 

Portfolio

Bruno Cals

Image no Load 

Portfolio

Patrizia Mussa

Image no Load 

Portfolio

David Trautrimas

Image no Load 

Portfolio

Emily Allchurch

Image no Load 

Portfolio

Maurizio Marcato

Image no Load 

Portfolio

Silvio Wolf

Image no Load 

Portfolio

Ahmet Ertug


© 2015 Rodolfo Namias Editore Srl. All rights reserved.